Uviglie Castle

It may seem strange entitle a museum to a stone, but a visit to the Ecomuseo della Pietra da Cantoni clarifies why this unique material is so important to the Monferrato’s culture. http://www.monferratodelights.com/blog/ecomuseum-pietra-da-cantoni/

The church of Sant’Evasio was founded in the first half of the 8th century, at the time of the Lombard King Liutprand, who wished to honour the saint by erecting a great basilica over the little church of San Lorenzo, built by Evasius himself. http://www.cittaecattedrali.it/en/bces/46-cathedral-of-sant-evasio

In 1563, with the transfer of the ducat's capital from Chambéry to Turin, Emanuele Filiberto of Savoy established his residence in the palace of the bishop at the Duomo; already in 1584, Carlo Emanuele I entrusted the architect Ascanio Vittozzi with the construction of a new factory. After 1643, with the regency of Maria Cristina of France, the direction of the work passed to Carlo di Castellamonte and then to Carlo Morello. http://www.museireali.beniculturali.it/index.php/it/il-complesso/palazzo-reale

The Museum of Antiquities consists of several sections: the New Channel, with the Archeology exhibition in Turin and the Marengo Treasure Halls; the Territory, dedicated to the archeology of Piedmont and the "Exhibitions on the catwalk"; the Collections, the "historical" nucleus of the Museum and location of the setting up of the Papyrus of Artemidorus. The underground floor of the Manica Nuova of Palazzo Reale has been the venue since 2013 for the renewed display of the Marengo Treasury and the Archeology exhibition in Turin which presents the city's archaeological materials, originating from the collections of the sixteenth-century scholars, increased by the antiquaries of the following centuries and merged into the royal collections, together with the new acquisitions resulting from recent archaeological excavations. The section connects with the archaeological area of ​​the Roman theater which partially contains and overlooks it. http://www.museireali.beniculturali.it/index.php/it/il-complesso/museo-archeologico

The Sabauda Gallery is headquartered at the New Palace of the Royal Palace and retains great masterpieces of the leading European schools. Among the works of Italian masters from the 14th century to the sixteenth century can be admired the Madonna with Child of the Blessed Angelic, the Archangel Raffaele and Tobiolo of Antonio and Piero del Pollaiolo, the Three Archangels and Tobiolo of Filippino Lippi, the Madonna with Child and painted saints by Andrea Mantegna with the help of a collaborator and the great canvas with Dinner at Simone's house by Paolo Veronese. http://www.museireali.beniculturali.it/index.php/it/il-complesso/galleria-sabauda

The Royal Castle of Racconigi is situated in the province of Cuneo in the region of Piemonte. It was the official residence of the Carignano line of the House of Savoy and is one of the Residences of the Royal House of Savoy included by UNESCO in the World Heritage Sites list. http://www.italiantourism.com/palazzireali.html

A gem of industrial hydroengineering, Panperduto represents an area of great interest to make visitors aware of cultural, historical, agricultural and environmental heritage. Located on the banks of the Ticino river, at Somma Lombardo along the European E1 trail and a few kilometres away from the Lago Maggiore and Milan, Panperduto is a place rich of history and culture. The old residence of the dam workers has been authentically restructured and today welcomes tourists following the cycleways, footpaths and points of interest along the watercourses. There is accommodation available with the opportunity to take guided tours of the whole complex, from the river confluence to the museum of the Italo-Swiss watercourses including a garden of interactive water games, to the migratory passage for fish and the beautiful trails immersed in the Ticino nature reserve. http://www.vareseturismo.it/en/blog/panperduto

The new museum, created inside the ancient Ospedale Spagnolo (Spanish Hospital) in the Castello Sforzesco, is a fascinating space that has never opened to the public before and is exclusively dedicated to Michelangelo’s last masterpiece. http://www.turismo.milano.it/wps/portal/tur/en/arteecultura/musei/pitturaescultura/Museo_della_Pieta

Castello Sforzesco is a surprising monument sheltering several specialized museums and traces of the city’s past. An oasis of art and culture. It was originally a Visconti fortress and later home to the mighty Sforzas, the rulers of Milan, who transformed it into a magnificent ducal palace thought to have been decorated by several of the greatest artists of the times including Donato Bramante and Leonardo da Vinci. Transformed into a military complex during four centuries of foreign occupation and subsequently used as the barracks of the Italian army, at the end of the 19th century the Castle was restored by architect Luca Beltrami who turned it into the headquarters of Milan’s Civic Museums. Today the Castle sits in all of its glory in the eponymous square with its 70m-tall “Torre del Filarete” and a number of majestic circular keep-towers. https://www.wheremilan.com/sightseeing-sempione/sforza-castle/

Even viewed only from the outside, the Duomo di Milano inspires awe with its grand scale and intricately ornate Gothic design. As the third largest church in Europe, this 14th century cathedral dominates the Milan skyline with its forest of soaring spires and towers that seem to touch the heavens.The elaborately sculpted marble facade stopped me in my tracks – an overwhelming cascade of arches, statues, and bas-relief scenes. I craned my neck trying to take it all in – from the majestic main entrance flanked by lions, to the Madonnina statue sparkling in gold some 356 feet above. No matter where you stand, there are biblical figures gazing out across the piazza with stone drapery billowing behind them.I imagined the legions of artisans across six centuries chiseling away to create this flamboyant Gothic spectacle. The experience left me with a profound appreciation what humans can achieve through immense dedication to artistic and engineering vision on a grand scale. Even unstepped inside, the Duomo di Milano is sure to impress with its ambitious vertical reach reflecting the glory of God and the endless creativity of mankind.

The Galleria, a place of transit for busy managers or a stop for enchanted and curious tourists, expresses the various faces of the city through its many facets. As soon as it was finished, the Galleria became immediately famous for its large size, extraordinary for the time and sign of a new era. Taking that classic wander through the Galleria, the very heart of the city, as visitors have done for many years, still creates that wonderful sensation. Entering the Galleria, the corridor between Duomo and La Scala Theatre, its magnificent arch welcomes you and hints at the Milanese spectacle that lies within. The original idea of the designers was to create a porticoed street that would function as a showcase and offer somewhere to take a pleasant stroll, enjoy an aperitif or have dinner after the opera. Today it can still be considered the “parlour” of the city, a place where you relax and enjoy a coffee at the bar Camparino, let yourself be enchanted by the cute hats of Borsalino and the collections of Prada and Louis Vuitton, or stop for an aperitif at Savini. http://www.turismo.milano.it/wps/portal/tur/en/arteecultura/architetturaemonumenti/monumenti/galleria_vittorio_emanuele_ii

Город с замечательной архитектурой, прекрасными улицами, но в котором, если ты не любитель итальянской оперы или не хочешь купить себе мебель, делать нечего уже на второй день

The construction of the Duomo di Milano initiated in 1386 on the site of the ancient basilicas of Santa Tecla and Santa Maria Maggiore, which were then demolished at a later date. Dedicated to Maria Nascente, the cathedral was commissioned by Gian Galeazzo Visconti and had a dual purpose: the plan was to replace the sites of worship in the heart of Milan with an imposing edifice and it was also intended to celebrate the Visconti Signoria and its ambitious expansion policy. It is the largest and most complex Gothic building in Italy, made of pink-veined white marble from the Candoglia quarries, in the Val d'Ossola. It is 157 metres in length and covers an area of 11,700 m2. The highest spire measures 108.5 and, in October 1774, the golden 4,16 metre-high statue of the Madonna by the sculptor Giuseppe Perego was placed on its pinnacle. The construction works were prolonged over five centuries and, during this extensive period, local and European architects, sculptors, artists and workers all proceeded in turn to work in the Fabbrica del Duomo. The result of all their labour is a unique style of architecture, a fusion of European Gothic style and Lombard tradition. http://www.turismo.milano.it/wps/portal/tur/en/arteecultura/architetturaemonumenti/abbaziechieseebasiliche/Duomo_Milano

La Scala, or Teatro alla Scala in Italian, is one of the most famous opera houses in the world. Its sober and elegant exterior never fails to surprise those that visit it for the first time. The Archduke Ferdinand of Austria-Este commissioned the construction of a new Ducal Theatre when a fire burnt down the previous theatre in 1776. The opera house was built on the site where the former site of the Church Santa Maria alla Scala, hence the name of the Teatro alla Scala. Like other theatres of the same period, La Scala also housed a casino during its early years. In 1943, during World War II, the theatre was badly damaged by bombing. It was reconstructed three years later. In 2002, the Opera House was closed for two years while it was renovated and opened in November 2004 with an opening performance of Europa riconosciuta by Antonio Salieri, which is the same opera that was performed when the theatre was inaugurated in 1778. Many famous operas have had their first production in La Scala, such as Othello, Nabucco by Verdi or Madame Butterfly by Giacomo Puccini. During its early years, the composer Giuseppe Verdi did not want his work to be represented in the Teatro alla Scala because he was convinced that the orchestra modified his compositions. Nevertheless, he then established a very close relationship with the Opera House. The Theatre Museum contains a large collection of paintings, busts, costumes and several other objects related to the world of opera and theatre. The visit includes discovering the theatre’s grand foyer, an elegant and sparsely decorated hall. Then you will be taken to the small box seats covered in red satin, where the high society enjoyed and still enjoys the various operas and ballets performed in La Scala. The enormous auditorium is made of wood and covered in red velvet, adorned with golden coloured stuccos. The stage is lit by a huge Bohemian crystal chandelier with 383 bulbs. https://www.introducingmilan.com/teatro-alla-scala

Brera is synonymous with the artistic heart of the city. In fact, as you stroll along the streets of this ancient district, you cannot help but be enchanted by its almost surreal atmosphere boasting small artisan’s workshops or quaint stores selling canvases and paints. Additionally, Brera is home to the impressive Accademia di Belle Arti, where visitors can admire Milan’s famous painting collection at the Pinacoteca (the Brera Picture Gallery), the historic Biblioteca Nazionale Braidense (Braidense National Library) , the Museo Astronomico (The Astronomical Museum), the oldest scientific research institute in the city and the Giardino Botanico (Botanical Gardens), an evocative green space located. https://www.wheremilan.com/sightseeng-brera/welcome-to-brera-district/

Set deep in the countryside north of Varese by the Castelseprio Archaeological Park, the site of Torba Abbey is home to more than a millennium of history. It started out as a military outpost towards the end of the Roman Empire and later fell into the hands of the Goths and then the Longobards (with defensive walls and towers dating back to the fifth and sixth centuries). Later Torba became a peaceful place of prayer and work for Benedictine nuns which led to the church and abbey being built in the thirteenth century. http://www.vareseturismo.it/en/blog/torba-abbey

On display in Palazzo Rosso, a noble residence decorated with valuable furnishings and frescoes by Liguria's greatest painters of the 17th Century, is a rich gallery of paintings, collected over more than two centuries by the noble Brignole-Sale family. http://www.visitgenoa.it/en/strada-nuova-museums-palazzo-rosso

Isolino Virginia is one of the oldest pile-dwelling settlements in the Alps and was inscribed on UNESCO’s World Heritage List in 2011 as part of a serial property known as the “Prehistoric pile dwellings around the Alps”. The tiny islet is home to a LIPU (the Italian Society for the Protection of Birds) sanctuary that acts as a stopover for many species of migrating birds, and attracts many visitors as there is so much to see and do. As the area around Lake Varese has a long tradition of marvellous cuisine it also has many traditional restaurants and eateries serving local produce, and Isolino Virginia is no exception – a meal at the islet’s restaurant is a memorable experience. Tourists come to admire Lake Varese’s wonderful sights and culture and small boats ferry them to and from the islet from different points of the lake depending on the time of day. http://www.vareseturismo.it/en/blog/isolino-virginia

It seems that in the first half of the 15th century the Visconti stayed "in the countryside", a step away from the current Marche metro stop in Milan, in Villa Mirabello. At the time, however, the building we are talking about was called Cascina Mirabello, and it can be found in the documents of 1468 that recognized it as the property of this Pigello Portinari. The Florentine nobleman dear to Prince Sforza, general manager of the annuities of the Milanese duchy and representative of the Florentine House of the Medici in Milan, was also the promoter of the construction of the Portinari Chapel in Sant'Eustorgio. Towards the end of the 15th century, the villa changed hands, becoming the property of the noble Landriani. Antonio Landriani, awarded by Francesco Sforza as mayor of Milan in 1456, then appointed prefect of the ducal treasury by Galeazzo Maria Sforza, later president of the Mint of Milan by the appointment of Gian Galeazzo Sforza, then became a trusted man and adviser politician of Ludovico il Moro. Ludovico himself was a guest of the Landriani in Villa Mirabello on February 4, 1500. A few years later the villa became one of the houses of the order of the Humiliati, of which Gerolamo Landriani was general. The Landriani family remained the owner of Villa Mirabello for some tens of years, enough to leave traces still visible today in the form of coats of arms that stand out on the fireplace of the main hall and on the ceilings, together with the motto "always el duty ”frescoed on the walls of the villa next to pomegranate figures and blue crosses. It seems that the villa then passed from Landriani to Marino, a rich family of Genoese origin whose member Tommaso entrusted Galeazzo Alessi with nothing less than the construction of Palazzo Marino in Piazza Della Scala. The history of the villa, in the following years, is rather confused, but it is known that it later became the property of the Serbelloni family and that, starting from the mid-1500s, it faced a sad decline: the building was reduced exclusively to uses agricultural and over the next three centuries it became increasingly dilapidated, until Luca Beltrami, in 1891, considered it by re-evaluating it as an illustrious example of Lombard architectural art. https://www.fondazionevillamirabello.it/

One of the public buildings in Varese that is well worth a visit is Palazzo Estense, which was the summer and autumn residence and court of Francesco III d'Este, the Duke of Modena and Lord of Varese. It was built to the designs of the architect Bianchi in the second half of the eighteenth century. The “Salone Estense” (Estense Hall) with its large fireplace made from multicoloured marble is quite stunning. Palazzo Estense is now the Town Hall. Behind the palace are the Estensi Gardens, one of the most charming public parks in Italy, which were built in the same style as the gardens of the Schönbrunn Palace, in Vienna, and finished in 1787. http://www.vareseturismo.it/en/blog/palazzo-estense-and-gardens

The Mont Avic natural park was established in 1989 to preserve the resources ofthe high valley of Torrente Chalamy (Champdepraz); in 2003, a part of the great valley of Dondena was also included in the protected area, reaching up as far as the mountain ridges of the Val Soana and the Valle di Cogne. http://www.lovevda.it/en/nature/mont-avic-park

Clinging to a sheer rock overhanging one of the deepest parts of Lake Maggiore, the hermitage is a monastery made up of three buildings dating back to the thirteenth and fourteenth centuries. It offers a wonderful blend of art and history set against one of the most charming natural canvases on Lake Maggiore, in which the rock appears to almost form a balcony leaning out towards the Borromean Islands. The hermitage can be easily accessed via a short walk from the lake or a picturesque staircase with 268 steps from a large square above, and a lift has recently been installed. http://www.vareseturismo.it/en/blog/hermitage-santa-caterina-del-sasso

The Parks of Nervi are an important historical/nature complex formed from the combination of several gardens that once belonged to private villas: Villa Gropallo, Villa Saluzzo Serra, and Villa Grimaldi Fassio. Today, these villas belong to the City of Genoa and have been transformed into museums. http://www.visitgenoa.it/en/parchi-di-nervi-gropallo-serra-grimaldi-and-luxoro-villas

Dedicated to the ones interested in the history of Santa Maria del Monte, it includes and shows romanesque sculptures, precious miniatures, a collection of important paintings of Giuseppe Baroffio Dall’Aglio and a section of sacred art from the 20th century. You'll find 20th-century bright rooms but also hidden old rooms situated under the Sanctuary, with remains of fifteenth-century frescos. The museum includes also a beautiful terrace with one of the most beautiful views in Lombardia. The Madonna con il Bambino by Domenico and Lanfranco from Ligurno is the symbol painting of the museum. http://www.vareseturismo.it/en/blog/museo-baroffio-e-del-santuario-del-sacro-monte-sopra-varese

This villa is a great example of neoclassical architecture. Its construction started at the end of 18th century and was finished in 1812 by marquesses Odescalchi. It belonged to family Raimondi and Visconti di Modrone. http://www.visitcomo.eu/en/discover/parks_villas/villas/villa_olmo/index.html#prettyPhoto

Como, the Duomo (Cathedral) seen from the eastern side of the piazza, where in only a single block, the Duomo, the Broletto and the city tower are located. Como's Duomo is the last of the Gothic cathedrals built in Lombardy: it was begun in 1396, ten years after the foundation of Milan 's Duomo. http://www.comoanditslake.com/comocathedral.htm

The San Gemolo Abbey in Ganna is an architectural complex formed by the church (consecrated in 1160), the bell tower, the cloister and the monks' homes. The abbey is located in the municipality of Valganna and is a place of worship dedicated to the memory of San Gemolo. According to the legend, the Saint walked to the abbey to be buried, bringing his own head in the hand. The cloister hosts the Museum of the Abbey with heterogeneous material, from prehistoric finds to nineteenth-century laces and embroideries. http://www.vareseturismo.it/en/blog/badia-di-ganna-0

Culture and nature promenade across beauty, innovation and Como's treasures. A path through Villa Olmo, Villa del Grumello and Villa Sucota where art initiatives grow. A place to meet and "breathe" culture for citizens and tourists. http://www.visitcomo.eu/en/discover/parks_villas/parks/chilometro_conoscenza/index.html

Gamba Castle Built at the beginning of the 1900s from the designs of the engineer Carlo Saroldi, it was commissioned by Charles Maurice Gamba, husband of Angélique d‘Entrèves, daughter of Count Christin d‘Entrèves. Since 1982 it has been the property of the Valle d’Aosta Autonomous Region. After a complex restoration, today the castle houses an exhibition route that winds through 13 rooms, displaying over 150 works of art such as paintings, sculptures, installations, drawings and photographs belonging to a regional collection dating back from the end of the nineteenth century to the present day. Alongside the works of the 20th-century masters, including sculptures by Martini, Mastroianni, Manzù, Arnaldo and Giò Pomodoro, and paintings by Casorati, De Pisis, Carrà and Guttuso, the collection documents Italian figurative art produced from the second half of the century up to contemporary study exponents, such as Schifano, Baruchello, Rama and Mainolfi. A vast and varied selection of works testifies to the movements that have animated the Italian art scene over the past 25 years: for example, the exhibition hosts representations of Informal art, Geometric abstraction, Transavantgarde and Pop art. Particular importance is given to Valle d’Aosta region through the activity of local artists, or those active in Valley, on regional commission. For visitors seeking both learning and distraction, the exhibition offers a series of services designed to bring different groups of visitors (families, adults, schools, children, young people) closer to modern and contemporary art through workshop activities, guided tours and events. http://www.discoversaintvincent.it/en/baron-gamba-castle

Not to be missed is a place which preserve the memory of the ancient State of the Pallavicini and precious architectures of the 15th century,Church of the Sant’Annunziata. http://www.italia.it/en/discover-italy/emilia-romagna/piacenza.html

The World Heritage Committee included on its list the Basilica and other sites important to the Franciscan Order, due to the fact that they represent an amalgamation of masterpieces stemming from creative human genius http://www.italia.it/en/travel-ideas/religion-and-spirituality/st-francis-and-the-basilica-in-assisi.html?h=assisi

One of the historical site situated in the city of Cuneo. Must visit place for tourist. https://cuneofotografie.blogspot.in/2013/09/palazzo-samone.html

A short walk from the lively center of Lugano lies the Parco Ciani, a destination for many tourists who come there to admire what is considered one of the most beautiful Swiss parks. http://www.luganoturismo.ch/en/see-do/parks/detail/id/3303/parco-ciani

Visiting this enchanting abbey, established one thousand years ago, you will experience the very same atmosphere of knights, crusades and religious mysteries. Surrounded by the lush forests of the mount Canto, this church kept its charming and austere Romanesque architecture, decorated by the fragments of ancient frescoes, which used to cover its walls http://www.visitbergamo.net/en/object-details/133-sant-egidio-in-fontanella-abbey/

The archaeological dig carried out in several batches between 1976 and 1999, allowed for the building’s constructive stages to be rediscovered. The digs involved an area which used to be part of a large extra-urban necropolis, where, at the beginning of the 5th century, there was an early-Christian complex which also included the cruciform church of S. Lorenzo. At the centre of the south nave, the basement of a funeral building was found, it may be dated to some time between the 4th and 5th centuries A.D.; the primitive church, which was erected to the north of this mausoleum, consisted of a simple apsidal hall surrounded by a portico destined for use as privileged burial grounds. In the 9th century, the church was completely rebuilt and enlarged, moving the general axis of the building southwards, the eastern extremity has three apses, while the facade was rebuilt to the west of the early-Christian one. In the year 989, a bell tower was added to the facade, the remains of which are still visible up to a height of approximately 15 m. The archeological dig of the choir of the church of S. Orso allowed for a square-shaped floor mosaic to be brought back to the surface, it was unknown and not mentioned by the sources, it was made with black and white tiles with some inserts of light brown coloured tiles. A series of six circles inscribed in the square, acts as a frame for the central decorations. In the central medallion there is an elegant representation of Samson killing the lion. http://www.lovevda.it/en/database/8/churches-and-sanctuaries/aosta/collegiate-church-and-cloister-of-sant-orso/720